In Carry On, Simon Snow and his friends realized that everything they thought they understood about the world might be wrong. And in Wayward Son, they wondered whether everything they understood about themselves might be wrong.
In Any Way the Wind Blows, Simon and Baz and Penelope and Agatha have to decide how to move forward.
For Simon, that means deciding whether he still wants to be part of the World of Mages — and if he doesn’t, what does that mean for his relationship with Baz? Meanwhile Baz is bouncing between two family crises and not finding any time to talk to anyone about his newfound vampire knowledge. Penelope would love to help, but she’s smuggled an American Normal into London, and now she isn’t sure what to do with him. And Agatha? Well, Agatha Wellbelove has had enough.
Any Way the Wind Blows takes the gang back to England, back to Watford, and back to their families for their longest and most emotionally wrenching adventure yet.
This book is a finale. It tells secrets and answers questions and lays ghosts to rest.
Carry On was conceived as a book about Chosen One stories; Any Way the Wind Blows is an ending about endings. About catharsis and closure, and how we choose to move on from the traumas and triumphs that try to define us.
Title : Any Way the Wind Blows Author : Rainbow Rowell Series : Simon Snow (book three) Format : eBook (overdrive) Page Count : 579 Genre : YA fantasy Publisher : Wednesday Books Release Date : July 6, 2021
Reviewer : Hollis Rating : ★ ★ ★ ★
Hollis’ 4 star review
After book two, I didn’t think this series could actually come back from where it had (and hadn’t) gone. I thought the magic was quite literally gone from both characters (some literally) and this world and my heart.
And then this one happened. Sure, my expectations were in the ground and maybe that helped but this did so many things right and in ways I’m actually finding hard to articulate. Which is one thing that wasn’t missing from this book : communication.
Overall, though, everything just felt.. more fun. Not lighthearted by any means but there were moments of joy and sweetness, absolutely. There’s no real baddie to battle but instead these characters are fighting for each other and for themselves and for a future, and a love, and that was really well done. There are still some reveals, still something of a villain, so there’s definitely some plot driving this and all of it is just really well balanced.
My one complaint might be the ending. Because it doesn’t feel like one, it feels a bit abrupt, but I don’t know how it could’ve made better, either. So there’s that.
Now that we have this finale I would like to one day reread, even if it means slogging through book two, only to see if, in hindsight, something about that middle instalment works. But also because now that it’s over.. I want to live it, again.
If, like me, book two put you off or made you hesitant to complete this.. give it a go. Pick it up. I do not think you’ll regret coming back to this world.
When gunslinging Amani Al’Hiza escaped her dead-end town, she never imagined she’d join a revolution, let alone lead one. But after the bloodthirsty Sultan of Miraji imprisoned the Rebel Prince Ahmed in the mythical city of Eremot, she doesn’t have a choice. Armed with only her revolver, her wits, and her untameable Demdji powers, Amani must rally her skeleton crew of rebels for a rescue mission through the unforgiving desert to a place that, according to maps, doesn’t exist. As she watches those she loves most lay their lives on the line against ghouls and enemy soldiers, Amani questions whether she can be the leader they need or if she is leading them all to their deaths.
Title : Hero at the Fall Author : Alwyn Hamilton Series : Rebel of the Sands (book three) Format : eBook (overdrive) Page Count : 471 Genre : YA fantasy Publisher : Viking Books for Young Readers Release Date : March 6, 2018
Reviewer : Hollis Rating : ★ ★ ★ ★
Hollis’ 4 star review
Initially, as I sat down to write this review, I found myself a bit at a loss as to what to say about this finale except that.. I am satisfied.
I don’t know why it took until book three for me to realize this but Hamilton did not pull punches. Your favourite characters took beatings, bullets, and may even have been buried (well, burned, because they don’t bury bodies in this world due to spooky night crawlies, but you get the idea). No one was safe.
And yeah, I cried. Twice. Because no one was safe.
I loved how the author would sneak in little snippets, little stories outside of (but part of) the story, and how that helped to end it, too. I think it helped to make this a little less perfectly wrapped up, no further problems, and instead gave their future more depth, more realism, because winning the war doesn’t prevent future battles.
That might not make much sense unless you’re read it, so I’ll move on.
As for the romance, which had dogged me a little in the sense that it was the least substantial-feeling of the plot points, well. I don’t know. I think I still stand by that. It wasn’t the strongest element, by far. But there were a few really good moments, one that made me cry, that proved Hamilton could’ve convince me. Not always but there was.. something.. there. I’ll take it.
The worldbuilding, the mythologies, the stories, none of it ever stopped growing. This world, the magic, the genesis of the Djinnis, it was so interesting, felt so effortlessly woven together, but the detail to do so was complex. I have no idea what Hamilton will be doing next (GR and amazon say 2025, bookdepository says 2022, it’s a mystery), but I will be reading more from her, whatever it might be, for sure.
Suffice it to say I had a really enjoyable time with this world and I’m so glad I slapped this one onto my Five Series to Finish in 2021 list. I’m very happy to not only have completed this but have had such a good time with it, too. Unrelated to this review, but for those keeping track (spoiler : I don’t expect any one to be keeping track, elle oh elle), this leaves me with just one more series from said post to chew through. And naturally I’ve left the most intimidating for last because why wouldn’t I. But seeing as the Diviners series always felt like a fall-time read.. well. It’s also perfect timing.
As for this series, though? I would definitely recommend.
When Edie is caught in a compromising position at her colleagues’ wedding, all the blame falls on her – turns out that personal popularity in the office is not that different from your schooldays. Shamed online and ostracised by everyone she knows, her boss suggests an extended sabbatical – ghostwriting an autobiography for hot new acting talent, Elliot Owen. Easy, right?
Wrong. Banished back to her home town of Nottingham, Edie is not only dealing with a man who probably hasn’t heard the word ‘no’ in a decade, but also suffering an excruciating regression to her teenage years as she moves back in with her widowed father and judgey, layabout sister.
When the world is asking who you are, it’s hard not to question yourself. Who’s that girl? Edie is ready to find out.
Title : Who’s That Girl Author : Mhairi McFarlane Format : eBook (overdrive) Page Count : 544 Genre : women’s fiction / contemporary romance Publisher : HarperCollins Release Date : November 19, 2015
Reviewer : Hollis Rating : ★ ★ ★ ★ ★
Hollis’ 5 star review
Even though I can probably admit to myself that this isn’t my usual five-star feeling, I can’t help but award it top marks anyway. Because McFarlane, as she so often does, does so many things right with this book, with her characters, with the situations, life lessons, and emotions she explores; and add to it that this might be the more romance-forward of her books..? It was so great. Though, having said that, it might be one of the less outright funny ones, too. Definitely clever, lots of banter and some great one-liners, but this author often makes me laugh as hard as she makes me cry and this had a softer hand with both of those things.
She didn’t want to be That Girl. The girl with the sad story attached. She wanted to define herself, not be defined by an event over which she had no control [..]. That’s what people with comfortable lives who were only playing the victim didn’t understand, how they gave themselves away – if you’d actually been one, you were desperate to shed the label. You craved the normality that had been taken from you.
As usual, McFarlane sets up a circumstance in such an everyday person way, with a character who is not perfect and has to work through what has gone wrong. In this case, having a friendship with an affianced coworker that crossed some emotional boundaries; which then leads to a complication when, on said coworker’s wedding day, he kisses her. And she’s caught reacting too slowly and is then, well, caught by the bride. The blame game then goes full force and because of being emotionally compromised by the man, and the friendship, she is caught between some real guilt and some real betrayal when he is forgiven and she isn’t and, of course, has to recalibrate while she hopes things blow over.
“You built him up to be something he wasn’t. We women are prone to it, I think. No matter how grown up and independent we think we are, I swear we have a brain illness from childhood where we think a man on a white horse is going to turn up at some point and fix everything. And when he doesn’t turn up, and he can’t fix anything even when he does, we think we did something wrong.”
I think, hands down, one of my favourite things about every single McFarlane is the friend group. And this one is no exception. And through those friends, and even some strangers, Edie faces some very different conversations and perspectives not only on the messy situation but also how the treatment that lead her to it is something she allows to happen to her over and over. The real talk was real. But seriously, the friend group? A+. Made even better when pitted up against those she thought were her friends but turn out not to be.
“What happens now, do we all go on dating sites and start Veet-ing our privates? If there’s one thing to be said for long-term relationships, it’s the freedom to have un-groomed genitals. Pubic fashions can come and go and you care not a jot.“ “Hairy’s back in anyway. Hairy’s the new bald.” “I’m not Veet-ing my balls for any woman. And I’m pretty sure demand for my bare ballsack is nil. When did people start liking this macabre stuff?“
Sidenote, while it is always very satisfying and romantic when a love interest stands up for their person, it’s even more satisfying when the main character does it for themselves. And Edie’s moment? Beautiful. It would’ve been better had she not had to, of course, but still.
“Look. That isn’t real life. That person they’re talking about isn’t you. There’s another version of you, multiple versions of you, walking around out there. You have to let it go, or you’ll go mad. Trust me on this. Keep these words in your head : those who know me better, know better.“
What necessitated that beautiful moment was the relentless bullying and smear campaign against her. McFarlane tackles online bullying and how social media makes it easy to be vile others because people are turned into targets, symbols, or abstract archetypes, not.. well, human beings. And it was hard to read. Because we’ve all seen it happen to others or been impacted by it ourselves. This does, however, work as an interesting contrast as there is a character dealing with fame and the media on a larger scale and how, even when mostly positive, being talked about, with everyone assuming things about you or spinning a narrative, is difficult.
“Find the man who appreciates you at your best, not the one who confirms your worst suspicions about yourself.”
As for the romance, it was so easy to root for it because the reader, unlike Edie, is far from oblivious to the love interest’s intentions. And we had lots of page time to really know him, too, even without his POV. There was something that worried me about how it would pan out but.. I can’t say more for spoilers. I can see why the ending is a bit polarizing but honestly I think that’s part of why this gets a five. It made me so happy because I thought for sure we’d end with something else.
“The way I see it, you get people who are important to you, for as long as you get them. You never know how long it will be. You have to accept it and make use of the time you have.”
I mentioned the humour was a little toned down and so were the emotions. But this does also deal with grief, two kinds, and you will very likely get choked up a few times. I know I did. There’s even a sticky family dynamic that got to me, too.
Who’s That Girl is funny without being a comedy, is emotional without being devastating, sweet without any sugary cringe, and full of those good warm fuzzies when a character comes out stronger and knowing themselves better, especially when surrounded by a great support group.
A slick, twisty YA page-turner about the daughter of a con artist who is taken hostage in a bank heist.
Nora O’Malley’s been a lot of girls. As the daughter of a con-artist who targets criminal men, she grew up as her mother’s protégé. But when mom fell for the mark instead of conning him, Nora pulled the ultimate con: escape.
For five years Nora’s been playing at normal. But she needs to dust off the skills she ditched because she has three problems:
#1: Her ex walked in on her with her girlfriend. Even though they’re all friends, Wes didn’t know about her and Iris.
#2: The morning after Wes finds them kissing, they all have to meet to deposit the fundraiser money they raised at the bank. It’s a nightmare that goes from awkward to deadly, because:
#3: Right after they enter bank, two guys start robbing it.
The bank robbers may be trouble, but Nora’s something else entirely. They have no idea who they’re really holding hostage…
Title : The Girls I’ve Been Author : Tess Sharpe Format : eBook (overdrive) Page Count : 336 Genre : YA contemporary thriller Publisher : G.P. Putnam’s Sons Books for Young Readers Release Date : January 26, 2021
Reviewer : Hollis Rating : ★ ★ ★ ★ .5
Hollis’ 4.5 star review
This was.. wow.
I don’t know what I expected when I picked this up (#NoBlurbers) but this was an off the cuff recommendation from a friend of mine (hi Sam!) and I saw my library had it so thought, hey, why not. And wow.
[..] she kissed me like I was prickly, like I was already understood, like I was worth it.
I really don’t even know where to begin. Within these pages you’ll find con artists, queer humans, trauma, clever girls, one of the absolute best representations of found family I’ve ever read, sharp edges, devoted sisters, dangerous situations, and the absolute will to survive.
I hate the whole “what doesn’t kill you makes you stronger” saying. It’s bullshit. Sometimes what doesn’t kill you is worse. Sometimes what kills you is preferable. Sometimes what doesn’t kill you messes you up so bad it’s always a fight to make it through what you’re left with.
Some books inspire paragraphs upon paragraphs of words and sometimes you’re just just staring at a blinking cursor. This is obviously the latter.
Netflix has apparently snatched this up to be adapted, with Millie Bobby Brown to star, and that is incredibly exciting. If they capture even half the magic of Sharpe’s words, pacing, and general vibe, it’ll be amazing. More amazing? It might get more people wanting to read the source material. Which you absolutely should. And, yes, I will be chewing through the author’s backlist between now and then.
Gunslinger Amani al’Hiza fled her dead-end hometown on the back of a mythical horse with the mysterious foreigner Jin, seeking only her own freedom. Now she’s fighting to liberate the entire desert nation of Miraji from a bloodthirsty sultan who slew his own father to capture the throne.
When Amani finds herself thrust into the epicenter of the regime—the Sultan’s palace—she’s determined to bring the tyrant down. Desperate to uncover the Sultan’s secrets by spying on his court, she tries to forget that Jin disappeared just as she was getting closest to him, and that she’s a prisoner of the enemy. But the longer she remains, the more she questions whether the Sultan is really the villain she’s been told he is, and who’s the real traitor to her sun-bleached, magic-filled homeland.
Forget everything you thought you knew about Miraji, about the rebellion, about Djinn and Jin and the Blue-Eyed Bandit. In Traitor to the Throne, the only certainty is that everything will change.
Title : Traitor to the Throne Author : Alwyn Hamilton Series : Rebel of the Sands (book two) Format : eBook (overdrive) Page Count : 523 Genre : YA fantasy Publisher : Viking Books for Young Readers Release Date : March 7, 2017
Reviewer : Hollis Rating : ★ ★ ★ ★
Hollis’ 4 star review
Fittingly for a book with the word ‘traitor’ in the title, I think the subheading should be : trust no one. Because wow, just when you think you know a body..
This book did so many things differently than book one did but what was very apparent is that Rebel of the Sands was just the tip of the iceberg for this world, this story, and there’s really no way to tell how it’s going to end.
Confusingly, we start this book with a bit of a time jump, brushing over events that have happened off page, and then only get some explanation quite a few chapters later. It definitely puts the reader on the back foot for a bit, and I don’t know why, but I guess we had to get to a certain place by a certain time and considering this page count was already significantly higher than book one.. maybe there was little choice in the manner? But it does brace you for the plot to take a turn and the merry little band of rebels we’ve been so used to being around, well.. we lose them for most of this book. It’s just a whole lot of different.
We also, as a result, lost the focus on the romance, which, hey, I mean, they have bigger things to worry about, so it’s realistic, but it’s also because our lovebirds are separated (see aforementioned loss o’rebels); however as a result it didn’t quite solidify my feelings about it. I had actually, conversely, wanted more time spent on it to make it feel more real. I like it but I don’t feel it, y’know?
Everything else though was pretty solid. The action, though lulled for a bit due to Reasons, really kicks off in the last 30%, and in the build up to that we get different sides to characters we had only ever heard about, people from Amani’s past, and all sorts of shifted dynamics. It was very interesting. I won’t say it was always very interesting, this book is long and some bits didn’t hold my attention like others did, but I still had a good time.
Six critically acclaimed, bestselling, and award-winning authors bring the glowing warmth and electricity of Black teen love to this interlinked novel of charming, hilarious, and heartwarming stories that shine a bright light through the dark.
A summer heatwave blankets New York City in darkness. But as the city is thrown into confusion, a different kind of electricity sparks…
A first meeting.
And maybe the beginning of something new.
When the lights go out, people reveal hidden truths. Love blossoms, friendship transforms, and new possibilities take flight.
Beloved authors—Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, and Nicola Yoon—celebrate the beauty of six couples and the unforgettable magic that can be found on a sweltering starry night in the city.
Title : Blackout Author : Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, and Nicola Yoon Format : eBook (overdrive) Page Count : 256 Genre : contemporary / diverse reads Publisher : Quill Tree Books Release Date : June 22, 2021
Reviewer : Hollis Rating : unrated
Hollis’ unrated review
I’m leaving this unrated and instead rating the stories separately with mini reviews.
Tiffany D Jackson’s story, The Long Walk, is the main driving force of these interconnected stories of Black kids during a city-wide blackout, with four parts that break up the anthology. This story focuses on a couple who have since broken up and both happen to arrive an internship there’s only one spot for. Before it can be resolved, the blackout hits. With nothing else to do, they agree to walk home together and, along the way, hash out their issues. This definitely got a bit overwrought at times, I’m mostly thinking of Act Three, and maybe I’m just used to Jackson’s more mature stories but this felt very.. young, on the childish end of YA, despite the fact that the characters were eighteen. And it’s such a bummer as I’ve loved so many stories from this author. But this one just didn’t do it. Two stars.
Mask Off by Nic Stone : a coming out/coming of age short between two boys who weren’t ever quite friends but were in each other’s orbit throughout the years. Until a queer masquerade party brings them together.. in a way. But it isn’t until they are stuck on the train together when the blackout hits that the masks (not literally!) come off. Honestly, this one was just.. fine. Nothing really remarkable. Two stars.
Made to Fit by Ashley Woodfolk : this short was set in an senior’s living facility, where two girls, one the granddaughter of a resident and the other, who visits the seniors with her therapy dog, meet. When a photo goes missing, the two girls search the home and, as they spend time together, sparks fly. This was a little too insta for me but it tied in with the theme of all the epic love stories being told around them. It was also a tiny bit repetitive RE the granddaughter’s sorta ex but it was cute. Three stars.
All the Great Love Stories.. and Dust by Dhonielle Clayton : hmm, sorta mixed feelings about this one. I love the idea of these two best friends with their history of bets combing through a library to find the greatest book of all time. She’s working up the courage to tell him how she feels and we get pieces of their history together; he’s got a revolving door of girlfriends, she never bothers. Does he feel for her what she feels for him? Again, love the concept, but some of this, despite being a novella, dragged out a bit. The pacing was a little off. But, still, it was cute. Three stars.
No Sleep Till Brooklyn by Angie Thomas : this short features a girl on a tour bus, on a school trip from Mississippi, struggling with feelings for her crush.. when she already has a boyfriend. I’m not going to say much more about this and risk spoiling it, because it didn’t end the way I expected, but the tie-in is that the driver is another character’s father and he may have accidentally gone off-route to drive them towards the block party happening in Brooklyn, where all the other characters we’ve met so far are also planning to attend. Four stars. And, in hindsight, though I loved Yoon’s writing best, this was my favourite story.
Seymour & Grace by Nicola Yoon : easily the best written of the bunch! And I enjoyed the story, too, even if it felt extra short. A girl is trying to find her way to the block party all the characters have made it to where she plans to confront her ex who dumped her because she’d “changed”. She ends up in a Ryde with someone listening to a philosophy podcast and they strike up a conversation; but it’s a rocky meeting. Things go wrong on the way to their destination but, eventually, they get there. And then.. well. Spoilers. I would’ve loved an extra chapter of this, instead of the extended Jackson story, and I’m sad it was so short. It’s a softer story but felt very Yoon-like. Which is a good thing. Four stars.
But while the little throw away tie-ins in Yoon’s story to bring everyone into the story, into the party, was nice, it still boggles my mind we didn’t get a concluding chapter that made it feel, after all this build up, that we were actually at this party?.That’s still confusing. It just kind of ends. Even though the Jackson wasn’t my favourite story, it held the anthology together, working as the glue. So couldn’t we have had a proper ending?
Overall, this wasn’t bad, but I expected to love a lot more from this bind-up than I did. So that’s a bit of a bummer. But I’ve not read anything by Woodfolk or Clayton before, though I’ve definitely had the latter on my radar, and I will definitely be picking up their solo offerings in the future.
Mortals rule the desert nation of Miraji, but mythical beasts still roam the wild and remote areas, and rumor has it that somewhere, djinn still perform their magic. For humans, it’s an unforgiving place, especially if you’re poor, orphaned, or female.
Amani Al’Hiza is all three. She’s a gifted gunslinger with perfect aim, but she can’t shoot her way out of Dustwalk, the back-country town where she’s destined to wind up wed or dead.
Then she meets Jin, a rakish foreigner, in a shooting contest, and sees him as the perfect escape route. But though she’s spent years dreaming of leaving Dustwalk, she never imagined she’d gallop away on mythical horse—or that it would take a foreign fugitive to show her the heart of the desert she thought she knew.
Rebel of the Sands reveals what happens when a dream deferred explodes—in the fires of rebellion, of romantic passion, and the all-consuming inferno of a girl finally, at long last, embracing her power.
Title : Rebel in the Sands Author : Alwyn Hamilton Series : Rebel of the Sands (book one) Format : eBook (overdrive) Page Count : 321 Genre : YA fantasy Publisher : Viking Books for Young Readers Release Date : March 8, 2016
Reviewer : Hollis Rating : ★ ★ ★ ★
Hollis’ 4 star review
Here’s another reread of book one in a series that I never finished. I read this over five years ago and sadly books two and three fell by the wayside and, despite how much I enjoyed this all those years ago, I never chased after them. But I tapped this series as part of my Five Series to Finish in 2021 pledge and so here we are.
Spoiler : I’m stealing a bit of this re-review from my original bit on GR. Because it sums my feelings, to this day, too well not to.
I wasn’t expecting Rebel of the Sands to work. The whole western theme crossed with a fantasy setting inspired by the myths and tales ala Arabian Nights? In theory you might think it could work, that the bare bones of it all could fit together, but there were so many ways it could go wrong. But this was a fast paced exciting adventure with enough magic to make it mystical but not detract from the very real and human conflict and struggle with identity.
Whereas the first time I read this I apparently didn’t connect to the main characters, and I might still kind of agree on that, this time it didn’t bother me. I was too swept up in the action (I read this very quickly in one sitting) to be bothered. Could the romance be more fleshed out? Absolutely. But, again, because I like them, I’m not too fussed. I’m feeling really easy going about the whole experience, to be honest. I did not expect to be as satisfied by this on a second go around, especially all these years later, but here we are.
That said, now that we’ve established a lot of elements to this world, as well as some key players, I would definitely hope that they get more page time, and everything, including said romance, feels a little more.. well, more.
A woman struggling with burnout learns to embrace the unexpected—and the man she enlists to help her—in this heartfelt new romance by USA Today bestselling author Helen Hoang.
When violinist Anna Sun accidentally achieves career success with a viral YouTube video, she finds herself incapacitated and burned out from her attempts to replicate that moment. And when her longtime boyfriend announces he wants an open relationship before making a final commitment, a hurt and angry Anna decides that if he wants an open relationship, then she does, too. Translation: She’s going to embark on a string of one-night stands. The more unacceptable the men, the better.
That’s where tattooed, motorcycle-riding Quan Diep comes in. Their first attempt at a one-night stand fails, as does their second, and their third, because being with Quan is more than sex—he accepts Anna on an unconditional level that she has just started to understand herself. However, when tragedy strikes Anna’s family she takes on a role that she is ill-suited for, until the burden of expectations threatens to destroy her. Anna and Quan have to fight for their chance at love, but to do that, they also have to fight for themselves.
Title : The Heart Principle Author : Helen Hoang Series : The Kiss Quotient (book three/companion) Format : e-ARC / eBook Page Count : 304 Genre : Contemporary Romance Publisher : Corvus/Atlantic Books Release Date : September 2, 2021 / August 31, 2021
Headlines: Love is messy Grief is messy Life is messy
My expectations coming into The Heart Principle were altered by things I’d seen on the author’s social media. I came into this expecting it to be different from the previous two in the series…and it was…and I’m okay with that. This story was definitely Anna’s book, Anna’s journey with some Quan on the side. I think some readers will miss that he wasn’t the full focus but I really liked Anna, her realisations, her evolving self awareness and her vulnerability. I could definitely have managed more Quan focus because as a character and great human, he was superb.
Anna’s character and her new diagnosis felt utterly raw. Anna’s reaction to the diagnostic news really resonated with me (not the same diagnosis), how she reacted, how it floored her, I could really relate to that. Later, how Anna grieved felt tangible and while some of that inertia of grief isn’t the most engaging thing to read about, it was and felt real.
I couldn’t stand Priscilla, I hated that dismissal she aimed towards Anna and having experienced that from my own mother, I seethed on her behalf. So much of this story that was personal to the character and author, felt personal to me too. This really isn’t your average romance, it’s messy and complicated but it’s rich.
There’s a lot of processing to do reading this and coming out of it; it still has me thinking. I will say that I wanted a little more depth in the closing quarter of the book but overall, this was a memorable journey and the most gritty of the three books. Helen Hoang really brought a portion of herself to this book and I am the richer for reading it.
Thank you to Corvus Books for the review copy.
Hollis’ unrated review
This is such a complicated reading experience and I’m really going to struggle putting some thoughts down, I think, and urge you to try this for yourself no matter what I come up with. Just know this might not be what you expect of it.
I knew pretty early on in the unfolding of this story that this was going to be very personal. Just from following the author, her struggles — all posted on public platforms — I could see the writing on the wall with this one. And she goes on to confirm it in the author’s note, too, just incase you think I’m reading too much into it. So the thought of “rating” or expressing dislike on something that is all but half a memoir is kind of uncomfortable. But if you go into this book expecting a romance ala what the cover is selling? You might end up with some buyer’s remorse.
Lately we’re seeing more and more romances toe the line of women’s fiction (or whatever you want to call it) where the romance is central, yes, but there are other topics that play just as (if not more) prominent a role. In this case I think there is equal page time given to both.. however, because of the structure of the story, you take turns reading about one thing and then another. The first part? Romance. Delightful. Sweet. Sexy. An irritating character or two. Some cameos. Everyone is having a good time and if we just quietly side-eye how quickly one of these two is moving and feeling? That’s okay. We can roll with it. The second part? Devastating. Uncomfortable. Frustrating. Hard to read. Over the course of a few different issues, really. Romance is on the back burner. And part three? A really rushed resolution that gives us a happily ever after but doesn’t resolve every single issue — which is often the case in women’s fiction but somehow, in this romance, feels.. unsatisfying? Not because I needed a bow tied on everything but I felt wound up so tight from part two and I wasn’t given enough time to decompress and process and see the character do the same. I don’t know how to explain it. But suffice it to say, yes, rushed.
That said, I am not calling this women’s fiction, nor am I hating on that genre — this year alone I’ve rated at least two of them five stars — it’s just that this feels a little bit of both, but not quite either.
Thus.. it’s an odd reading experience. But it’s obviously also a very personal one. Is Anna’s creative burnout, the fear of failing those who are watching her so closely, the author’s own manifested fear post-success of The Kiss Quotient? So much of Anna comes from the author (which she also explains was her reason to switch from third person to first) and the more I think about the elements of this story, the realer and realer is seems. And I haven’t even touched on the more obvious real-life elements she put onto the page.
I’m sure aspects of this will mean a lot for all sorts of readers or make them feel seen. I don’t want to dismiss that representation or impact. I just don’t know how it works as a whole when each section didn’t feel tuned to the same frequency.
What I’ve also yet to mention is that if you are expecting this to be Quan’s book? It isn’t, really. If you’re expecting the character represented by the woman on the cover to exude the energy she’s giving us with that pose? You won’t get it (this happens more and more due to illustrated covers, I think we’re all getting used to it, but it bears mention). This is a lot of things but between expectations and marketing I’m not sure it all lines up. And hey, it is what it is, I imagine the author did not anticipate her own circumstances to go the way they did during the course of writing this book, either.
So, again, how does one rate this? If you’re me, you don’t.
I absolutely don’t want to discourage anyone from reading this. I love this author, I love her works, and there is so much courage in putting these experiences out into the world in the form of fiction for people, like myself, to critique. I will absolutely read whatever else she puts out. But was this satisfying? Worth the wait? Everything I wanted? A great experience? I would say no. But the why of that no is due to all the aforementioned reasons above.
He was supposed to be a myth. But from the moment I crossed the River Styx and fell under his dark spell… he was, quite simply, mine.
Society darling Persephone Dimitriou plans to flee the ultra-modern city of Olympus and start over far from the backstabbing politics of the Thirteen Houses. But all that’s ripped away when her mother ambushes her with an engagement to Zeus, the dangerous power behind their glittering city’s dark facade.
With no options left, Persephone flees to the forbidden undercity and makes a devil’s bargain with a man she once believed a myth… a man who awakens her to a world she never knew existed.
Hades has spent his life in the shadows, and he has no intention of stepping into the light. But when he finds that Persephone can offer a little slice of the revenge he’s spent years craving, it’s all the excuse he needs to help her—for a price. Yet every breathless night spent tangled together has given Hades a taste for Persephone, and he’ll go to war with Olympus itself to keep her close…
A modern retelling of Hades and Persephone that’s as sinful as it is sweet.
Title : Neon Gods Author : Katee Robert Series : Dark Olympus (book one) Format : eBook (overdrive) Page Count : 380 Genre : myth retelling / romance Publisher : Sourcebooks Casablanca Release Date : June 1, 2021
Reviewer : Hollis Rating : ★ ★ .5
Hollis’ 2.5 star review
I was close to rounding up on this one but.. there was too much about this particular retelling’s worldbuilding that haunted me for too long. And, in fact, it was only upon starting this review, as I started to talk (write) it out, that I actually started to piece together some of those holes. Sorta. But that doesn’t take away the fact that I found it so distracting for the whole duration of the book. Nor does it solve all the worldbuilding issues. There’s something about this modern but still removed but still modern Olympus that just breaks my brain.
As for the romance.. listen, if I don’t think too hard about how rushed Persephone’s character growth/arc/reveal was, the romance is sweet with a touch of spice. I want to be able to champion the female lead and poke holes in the male but sadly, in this case, as much as I could appreciate Persephone over the course of the story, I never really felt we got to see that duality in her to explain why she’d been one way only to reveal herself as something else. Yes, yes, being able to explore herself, removing masks, yes, it’s all told to us but I didn’t see it because I didn’t see her the other way. A few offhand comments do not a character make. Maybe if we’d spent less time early on to establish that Hades was a fussing mother hen and Persephone needed to eat a few more meals, that page time could’ve gone towards a better foundation.
But yeah, Hades is soft. I don’t really know if this is supposed to be a true D/s romance, maybe it just flirts with the concept (I’ll check some reviews), but even when he was D.. he was soft. I didn’t mind that at all, either. This isn’t a criticism.
Instead my criticisms are definitely worldbuilding and the fact that I couldn’t get a handle on a few things until the end. Sometimes retellings are hard when you know enough about the source or the myth and you just end up tripping yourself up instead of enjoying the homage. This was one of those for me. I also expected to see one of the more famous parts of this myth incorporated and Robert flirted with the idea but didn’t quite commit. So because I expected that, and therefore some angst, and didn’t get it, that also sort’ve twisted me up. Expectations, whatcha gonna do.
This did guarantee I would be humming Eurydice by The Crüxshadows almost the whole time I read this, though. I’m exposing my early aughts goth child with that reference but I don’t even care. What a jam. What a moment. Excuse me while I lose myself in a playlist..
I’m sad to say but for this reader this definitely didn’t live up to the hype. But, minor irritants with my brain not cooperating over those worldbuilding bits, I didn’t hate my time with this, either. Which is why I will read on.
Leigh Coulton has worked hard to build what looks like a normal life. She has a good job as a defence attorney, a daughter doing well in school, and even her divorce is relatively civilised – her life is just as unremarkable as she’d always hoped it would be.
HIDES A DEVASTATING PAST
But Leigh’s ordinary life masks a childhood which was far from average… a childhood tarnished by secrets, broken by betrayal, and finally torn apart by a devastating act of violence.
BUT NOW THE PAST IS CATCHING UP
Then a case lands on her desk – defending a wealthy man accused of rape. It’s the highest profile case she’s ever been given – a case which could transform her career, if she wins. But when she meets the accused, she realises that it’s no coincidence that he’s chosen her as his attorney. She knows him. And he knows her. More to the point, he knows what happened twenty years ago, and why Leigh has spent two decades running.
AND TIME IS RUNNING OUT
If she can’t get him acquitted, she’ll lose much more than the case. The only person who can help her is her younger, estranged sister Callie, the last person Leigh would ever want to ask for help. But suddenly she has no choice…
Title : False Witness Author : Karin Slaughter Format : eBook (overdrive) Page Count : 512 Genre : contemporary / crime-thriller Publisher : William Morrow Release Date : July 20, 2021
Reviewer : Hollis Rating : ★ ★ ★ ★ .5
Hollis’ 4.5 star review
Even though she writes some of the most disturbingly dark and twisty stories, there’s really nothing like sinking into a Slaughter. And this was no different.
Due to the subject matter, I couldn’t possibly recommend this (check for triggers or, you know, just don’t read from this author..), but the way this story unfolded was so well done. And that started right from the beginning.
I don’t read many summaries in general but I never do for this author and so I had no idea where we were starting or where we were going. Unlike her usual procedurals, there’s no real investigation to be done in False Witness because the crimes have already been committed and there’s no question who has done it. We watch as Leigh Collier, a defence attorney, is faced with an unexpected criminal trial where the accused happens to feature a face from her past. But this isn’t a nostalgic reunion but instead someone who, it seems, knows Leigh’s darkest secret. Worse, this connection to her past is now trying to use that secret against her in order to get away with horrible acts.
This was uncomfortable, I’ll be honest, and not just because of what happened in the past, or what the present-day villain was doing, but because Slaughter is so good at writing horrible horrifying terrifying characters. The subtle menace in how she describes their behaviour, their expressions, it’s palpable.
That said, for all this wasn’t a mystery to solve, there were quite a few surprises along the way. One of them being how the beginning narrative makes you think one thing, only to realize another. But in other ways, too.
Also? For all the darkness, this was heartbreaking, lovely, and so sad. The connection between these sisters, the struggle Leigh’s sister, Callie, faced every day. Everything that had been stacked against her. And yet she was so.. kind. Sweet. Caring. And their relationship, and what these two sisters were willing to do for each other.. I definitely got choked up.
Unexpectedly, COVID has a very real presence in this story. I wasn’t sure I liked that at first but actually it worked. It was taken seriously, with everything still happening in real time, not just as a flippant or off the cuff reference, or used as a plot device. That said, if you don’t want to deal with that in your fiction, this is your warning.
If Slaughter wants to churn out some more standalones like this between now and the next Will Trent? I wouldn’t be mad at all.