London banking heiress Hattie Greenfield wanted “just” three things in life:
1. Acclaim as an artist.
2. A noble cause.
3. Marriage to a young lord who puts the gentle in gentleman.
Why then does this Oxford scholar find herself at the altar with the darkly attractive financier Lucian Blackstone, whose murky past and ruthless business practices strike fear in the hearts of Britain’s peerage? Trust Hattie to take an invigorating little adventure too far. Now she’s stuck with a churlish Scot who just might be the end of her ambitions….
When the daughter of his business rival all but falls into his lap, Lucian sees opportunity. As a self-made man, he has vast wealth but holds little power, and Hattie might be the key to finally setting long-harbored political plans in motion. Driven by an old revenge, he has no room for his new wife’s apprehensions or romantic notions, bewitching as he finds her.
But a sudden journey to Scotland paints everything in a different light. Hattie slowly sees the real Lucian and realizes she could win everything—as long as she is prepared to lose her heart.
Going toe-to-toe with a brooding Scotsman is rather bold for a respectable suffragist, but when he happens to be one’s unexpected husband, what else is an unwilling bride to do?
Title : Portrait of a Scotsman
Author : Evie Dunmore
Series : A League of Extraordinary Women (book three)
Format : eBook (overdrive)
Page Count : 448
Genre : historical romance
Publisher : Berkley
Release Date : September 7, 2021
Reviewer : Hollis
Rating : ★ ★ ★
Hollis’ 3 star review
For a historical romance, this was oddly light on romance. Plenty of sexytimes, when we eventually got to that point, but Dunmore spends a lot of the word count on many of the societal issues of the time (some of which are relevant today) — yes, a women’s right to vote has been the guiding star of this whole series, and all that is twisted up with that right, but this instalments shifts to the conditions of the working class, specifically miners, unions, and the wage disparity between the genders of said working class.
You can’t tell me Dunmore doesn’t know her shit or, at the very least, puts in a hell of a lot of hours on research. Much of it was interesting, though perhaps not always compelling, but I appreciated the debates between the two main characters who took to these subjects through the lens of their very different upbringings, perspectives, and privileges.
Where this story was less interesting was the romance. However, this more or less followed the format of Beauty and the Beast or Hades and Persephone so if that dynamic is your catnip, you’ll definitely be hooked — at least by the beginning.
Hattie is definitely something of a departure from the leading ladies of the other books who were, categorically, more radical and easier to identify with because they felt more modern. Whereas Hattie, despite attending Oxford, despite supporting the suffragists movement, faces the very real realization that though she supported the cause for a woman to not be property and possessed by her husband, it takes her own marriage for her to actually understand the fight. She is very much a representation of the women of the time — granted, a certain woman — where she is soft, monied, and comfortable, having been afforded everything in her life up until this point. Which makes her exposure to self-made and rough Lucian, to the small community in the Lowlands and their working conditions, everything, a shift. She is very much the spoiled rich girl getting a wake up call. She’s not ever cruel or terrible with her attitudes — she is, at heart, a good person — but Dunmore does occasionally make her lean into her bratty petulance and she has some less gracious reactions.
Whereas Lucian.. granted, he definitely starts off a villain, he has villainous ways, but the way he starts to lean in (get it!), curve himself around Hattie, even as he unbends; his whole backstory, really, was great. The problem, however, is I didn’t feel Dunmore gave it as much time to breathe. We get a lot of time to unpack much of Lucian along the way as he unravels parts of himself in tribute to Hattie and trying to find equal footing as a result of their less than honest beginnings and yet the big moment, the big confession, doesn’t come from him. Which makes sense but somehow you lose that emotional punch. Which I feel is kind of true for most of this book. There is much to be felt in the bones of this story, the causes, the conditions, the casual cruelty of the culture, but somehow the meat, the emotions, weren’t really present. Add to that fact that the romance only felt charged in the bedroom.. and it feels unbalanced.
Particularly when it came to the a conflict/plotline near the end which, honestly, comes out of nowhere and didn’t fit with the rest. Which then leads into this whole other conflict that just.. I didn’t like. You can see it coming a mile away due to foreshadowing, and it fits in with the formula this story is based around, but. But I would’ve been fine had the formula been altered.
All this long rambling review to say : I really respect and enjoy Dunmore’s commitment to her historical setting. The research, the atmosphere, the subject matter, the critical unpacking of a woman’s lack of agency during this time, everything. Thankfully, unlike book two, this one didn’t stray into grey areas or trip itself up, it’s just in the romance that I felt some of this was lacking. So I’m pleased to say I am going into the possibility of a book four (Catriona?) with higher hopes, more in line with what I expected after book one, and look forward to where Dunmore goes next.