What’s the one thing you DON’T do at a wedding?
When Edie is caught in a compromising position at her colleagues’ wedding, all the blame falls on her – turns out that personal popularity in the office is not that different from your schooldays. Shamed online and ostracised by everyone she knows, her boss suggests an extended sabbatical – ghostwriting an autobiography for hot new acting talent, Elliot Owen. Easy, right?
Wrong. Banished back to her home town of Nottingham, Edie is not only dealing with a man who probably hasn’t heard the word ‘no’ in a decade, but also suffering an excruciating regression to her teenage years as she moves back in with her widowed father and judgey, layabout sister.
When the world is asking who you are, it’s hard not to question yourself. Who’s that girl? Edie is ready to find out.
Title : Who’s That Girl
Author : Mhairi McFarlane
Format : eBook (overdrive)
Page Count : 544
Genre : women’s fiction / contemporary romance
Publisher : HarperCollins
Release Date : November 19, 2015
Reviewer : Hollis
Rating : ★ ★ ★ ★ ★
Hollis’ 5 star review
Even though I can probably admit to myself that this isn’t my usual five-star feeling, I can’t help but award it top marks anyway. Because McFarlane, as she so often does, does so many things right with this book, with her characters, with the situations, life lessons, and emotions she explores; and add to it that this might be the more romance-forward of her books..? It was so great. Though, having said that, it might be one of the less outright funny ones, too. Definitely clever, lots of banter and some great one-liners, but this author often makes me laugh as hard as she makes me cry and this had a softer hand with both of those things.
She didn’t want to be That Girl. The girl with the sad story attached. She wanted to define herself, not be defined by an event over which she had no control [..]. That’s what people with comfortable lives who were only playing the victim didn’t understand, how they gave themselves away – if you’d actually been one, you were desperate to shed the label. You craved the normality that had been taken from you.
As usual, McFarlane sets up a circumstance in such an everyday person way, with a character who is not perfect and has to work through what has gone wrong. In this case, having a friendship with an affianced coworker that crossed some emotional boundaries; which then leads to a complication when, on said coworker’s wedding day, he kisses her. And she’s caught reacting too slowly and is then, well, caught by the bride. The blame game then goes full force and because of being emotionally compromised by the man, and the friendship, she is caught between some real guilt and some real betrayal when he is forgiven and she isn’t and, of course, has to recalibrate while she hopes things blow over.
“You built him up to be something he wasn’t. We women are prone to it, I think. No matter how grown up and independent we think we are, I swear we have a brain illness from childhood where we think a man on a white horse is going to turn up at some point and fix everything. And when he doesn’t turn up, and he can’t fix anything even when he does, we think we did something wrong.”
I think, hands down, one of my favourite things about every single McFarlane is the friend group. And this one is no exception. And through those friends, and even some strangers, Edie faces some very different conversations and perspectives not only on the messy situation but also how the treatment that lead her to it is something she allows to happen to her over and over. The real talk was real. But seriously, the friend group? A+. Made even better when pitted up against those she thought were her friends but turn out not to be.
“What happens now, do we all go on dating sites and start Veet-ing our privates? If there’s one thing to be said for long-term relationships, it’s the freedom to have un-groomed genitals. Pubic fashions can come and go and you care not a jot.“
“Hairy’s back in anyway. Hairy’s the new bald.”
“I’m not Veet-ing my balls for any woman. And I’m pretty sure demand for my bare ballsack is nil. When did people start liking this macabre stuff?“
Sidenote, while it is always very satisfying and romantic when a love interest stands up for their person, it’s even more satisfying when the main character does it for themselves. And Edie’s moment? Beautiful. It would’ve been better had she not had to, of course, but still.
“Look. That isn’t real life. That person they’re talking about isn’t you. There’s another version of you, multiple versions of you, walking around out there. You have to let it go, or you’ll go mad. Trust me on this. Keep these words in your head : those who know me better, know better.“
What necessitated that beautiful moment was the relentless bullying and smear campaign against her. McFarlane tackles online bullying and how social media makes it easy to be vile others because people are turned into targets, symbols, or abstract archetypes, not.. well, human beings. And it was hard to read. Because we’ve all seen it happen to others or been impacted by it ourselves. This does, however, work as an interesting contrast as there is a character dealing with fame and the media on a larger scale and how, even when mostly positive, being talked about, with everyone assuming things about you or spinning a narrative, is difficult.
“Find the man who appreciates you at your best, not the one who confirms your worst suspicions about yourself.”
As for the romance, it was so easy to root for it because the reader, unlike Edie, is far from oblivious to the love interest’s intentions. And we had lots of page time to really know him, too, even without his POV. There was something that worried me about how it would pan out but.. I can’t say more for spoilers. I can see why the ending is a bit polarizing but honestly I think that’s part of why this gets a five. It made me so happy because I thought for sure we’d end with something else.
“The way I see it, you get people who are important to you, for as long as you get them. You never know how long it will be. You have to accept it and make use of the time you have.”
I mentioned the humour was a little toned down and so were the emotions. But this does also deal with grief, two kinds, and you will very likely get choked up a few times. I know I did. There’s even a sticky family dynamic that got to me, too.
Who’s That Girl is funny without being a comedy, is emotional without being devastating, sweet without any sugary cringe, and full of those good warm fuzzies when a character comes out stronger and knowing themselves better, especially when surrounded by a great support group.