Talia Hibbert, one of contemporary romance’s brightest new stars, delivers a witty, hilarious romantic comedy about a woman who’s tired of being “boring” and recruits her mysterious, sexy neighbor to help her experience new things—perfect for fans of Sally Thorne, Jasmine Guillory, and Helen Hoang.
Chloe Brown is a chronically ill computer geek with a goal, a plan, and a list. After almost—but not quite—dying, she’s come up with seven directives to help her “Get a Life”, and she’s already completed the first: finally moving out of her glamourous family’s mansion. The next items?
Enjoy a drunken night out.
Ride a motorcycle.
Have meaningless but thoroughly enjoyable sex.
Travel the world with nothing but hand luggage.
And… do something bad.
But it’s not easy being bad, even when you’ve written step-by-step guidelines on how to do it correctly. What Chloe needs is a teacher, and she knows just the man for the job.
Redford ‘Red’ Morgan is a handyman with tattoos, a motorcycle, and more sex appeal than ten-thousand Hollywood heartthrobs. He’s also an artist who paints at night and hides his work in the light of day, which Chloe knows because she spies on him occasionally. Just the teeniest, tiniest bit.
But when she enlists Red in her mission to rebel, she learns things about him that no spy session could teach her. Like why he clearly resents Chloe’s wealthy background. And why he never shows his art to anyone. And what really lies beneath his rough exterior…
Title : Get a Life, Chloe Brown
Author : Talia Hibbert
Series : The Brown Sisters (book one)
Format : ARC
Page Count : 384
Genre : contemporary romance
Publisher : Avon / Piatkus
Release Date : November 5, 2019
Reviewer : Hollis / Micky
Rating : ★ ★ ★ ★ ★ / ★ ★ ★ ★ .5
Hollis’ 5 star review
The fact that this book exists makes me a little less angry that the world is a dumpster fire. Which isn’t to say that the world should continue stinking and burning, just that.. maybe this is proof we might one day be okay. Because this book? This b o o k.
She hadn’t always been like this, a tongue with a tip bitten off, her feelings squashed into box. But help and concern, even from the people she loved — even when she needed it — had a way of grating. Of building up, or rather, grinding down. Truthfully, guiltily, sometimes simple gratitude tasted like barely sweetened resentment in her mouth.
Hibbert really went there. She did it. She gave us a book that tackles chronic pain in a way that I, as a reader, don’t think I’ve seen before. Chloe Brown is a force. She hurts, every day, but more than that she’s been hurt by being left. She has walls but wants to.. not remove them but maybe install a door into said perimeter. She wants to open up, live her life; even, maybe, get one. And she wants to stop letting her physical pain get in her way; or at least stop it from being an excuse for not trying. Not recklessly, not at her own expense, but she wants to find her limits and go there. There is so much grace in giving us a character like Chloe. And I loved her so much.
“We don’t have moose, Chlo. Or bears.“
“I’m quite certain that we do.”
“We definitely have bears.”
“We don’t. If we had bears it’d be in the news all the time. You know, Fine upstanding British man attacked by a bear, EU to blame, Brexit now.“
“I’m quite certain I saw that headline on a copy of the Daily Mail the other week.“
The author has also offered us a man who has been hurt, and is hurting, and yet doesn’t take that as a license to be an asshole to the world or to our leading lady. It doesn’t mean he’s a pure soft boy of total goodness, because like anyone who hurts they get low, they get scared, they maybe lash out, but he’s so self-aware. He apologizes. He makes amends. He strives to be better, to do better, and is more than just words. And that does, actually, make him as close to total goodness as one can get, I think.
“The thing is, Red.. some of us have so many marginalizations, we might drown if we let all the little hurts flood in. So there are those, like me, who filter. I think you’ve noticed I filter a lot.“
This book took me so long to read and I think it was because, subconsciously (unconsciously?), I wanted to delay the satisfaction a bit. Savour it. Because lowkey this book was equal parts a hilarious, swoony, delight, and also quietly devastating. Which isn’t to say those quiet moments weren’t also loud but.. the way they were handled was quiet. Carefully. Again, I’ll use the word gracefully. It made those moments pack an unexpected punch without amping up manufactured drama. It made it feel natural and real and all the more potent. And as a result I probably just needed a few more breaks than normal with this particular read but oh man was it worth it.
“Throw a tantrum, if you must.“
“Throw a–? I’m not doing this with you.”
“Arguing. I don’t argue with people.”
“That sounds dull.”
And speaking of potent. Those swoons? Oh my god. This book was steamy af on multiple occasions but still maintained a slow sexy burn that was so delicious I have no words. None. Just (fire emoji fire emoji fire emoji).
“Wait until you see the air mattress.“
“Well, you didn’t think I was going to fuck you on the ground, did you? I’m not a complete animal.”
If you’re looking for
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** I received an ARC from the publisher (thank you!) in exchange for an honest review. **
Micky’s 4.5 star review
GET A LIFE, CHLOE BROWN was a read full of quirky goodness and the first contemporary romance I’ve ever encountered that has done justice to a protagonist with a chronic illness and pain issues. For this alone, it deserves all the kudos. BUT, that aside, it’s just a damn good story that swallows you up and doesn’t let go.
Chloe was a realistic heroine, the kind of woman you could identify with, mood swings and all. I’m not going to go into detail of what was wrong with Chloe, you can read that for yourself. However, she was ready to evolve as a person managing an illness, she felt it had ruled all her decisions for too long. Her journey to becoming more herself was such good reading. Chloe was full of snark, quips and a quiet, soft centre; I loved her. Her inner monologues, especially about Red, had me hooting with hilarity.
She was a caterpillar tucked into a universe-endorsed chrysalis. Someday soon, she would emerge as a beautiful butterfly who did cool and fabulous things all the time, regardless of whether or not said things had been previously scheduled.
Red was a man of integrity and goodness, there was nothing to not like. Suffice it to say, I loved him too, his patience, generosity and retorts were all the fun. These two together were fractious chemistry, burning slowly and getting on each other’s nerves.
Like maybe she was just an awkward, sarcastic grump and he should stop losing his temper around her.
The connection between Red and Chloe invited me in early on, from the tree incident (still snorting) to the camping. I enjoyed the time it took, the unravelling of feelings and intimacy and the realism of the effect of emotional baggage on future relationships.
I appreciated the storylines in this book more than I can say. Each element of these felt totally genuine from chronic illness to abuse. They were handled with research and sensitivity and this shows me what talent Talia Hibbert has, not only to include these, but to seamlessly and congruently weave this into a love story. I am an instant fan.
Thank you to Piatkus & Little Brown for the review copy.