High school senior Cameron Bright’s reputation can be summed up in one word: bitch. It’s no surprise she’s queen bee at her private L.A. high school—she’s beautiful, talented, and notorious for her cutting and brutal honesty. So when she puts her foot in her mouth in front of her crush, Andrew, she fears she may have lost him for good.
In an attempt to win him over, Cameron resolves to “tame” herself, much like Katherine in Shakespeare’s The Taming of the Shrew. First, she’ll have to make amends with those she’s wronged, which leads her to Brendan, the guy she labelled with an unfortunate nickname back in the sixth grade. At first, Brendan isn’t all that receptive to Cameron’s ploy. But slowly, he warms up to her when they connect over the computer game he’s developing. Now if only Andrew would notice…
But the closer Cameron gets to Brendan, the more she sees he appreciates her personality—honesty and all—and wonders if she’s compromising who she is for the guy she doesn’t even want.
Title : If I’m Being Honest
Author : Emily Wibberley & Austin Siegemund-Broka
Format : OverDrive (eBook)
Page Count : 370
Genre : YA contemporary
Publisher : Viking Books for Young Readers
Release Date : April 23, 2019
Reviewer : Hollis
Rating : ★ ★ ★ ★
Hollis’ 4 star review
IF I’M BEING HONEST is something of a love letter to the archetype of the mean girl. The girl who is pretty, blonde, popular and always there with a harsh barb. What these authors do with that character, however, is somewhat different from what we’ve come to expect.
If every glare I earned, or didn’t earn but received nonetheless, bothered me, I’d drown in the judgment.
Cameron is beautiful, blonde, popular.. but she’s not rich. She doesn’t have a string of broken hearts in her past — infact, she’s been very purposefully single for two years. She has plans for her life and she executes them accordingly, each task an item on her list to be crossed off. She’s methodical because it’s something she can control. Because her home life is complicated, fraught with emotional minefields, and her honesty — her drive — is a direct result of the neglect and belittling from her father, and the disdain she has for her mother’s string of failed jobs, failed motivation, failed ability to parent. Cameron feels driven to prove to her successful, and absent, father that she can be worthy of his attention, worthy of his love, that she is unlike her mother who earns only his scorn. She puts in the work because she can see, with her own two eyes, that work gets results.
Which is why she spends a year planning out her perfect relationship. She meets the guy, likes the guy, and waits. She wants to see that he has drive, has ambition. And when she finally makes her move.. it, unfortunately, backfires. And the boy in question no longer wants her, much less likes her, as a result.
I didn’t understand it at first. Wouldn’t a person be a better friend if they told the truth? [..] I’ve always thought of honesty as helpful even if it’s hurtful.
It’s in studying THE TAMING OF THE SHREW that Cameron sees so much of herself in the main character and decides to reinvent herself, to prove herself worthy of being liked, to soften her edges; to self-tame. And so begins her road of apologies, of amends, to reinvent herself.
“I would have to be pretty desperate to put my fate in the hands of Cameron Bright, the girl who wrecked my life in the first place.”
“Grant, you passed desperate when you were modelling lingerie for the innocent bystanders in a bookstore.”
IF I’M BEING HONEST is a retelling/reimagining of the aforementioned Shakespeare play, as well as Ten Things I Hate About You, and honestly? By about ten percent I wanted to shout my love of this book from the rooftops. It was funny, it was unflinching, it was heartfelt, it was raw. The evolution, not only of Cameron but the relationships — platonic and romantic — was so.. organic? Genuine? Real? Sure, it occasionally journeyed a somewhat expected path as far as plot progression, and emotional speed bumps, but it was the strong writing, and the solid characters, that carried it. That, infact, made it soar.
The ending doesn’t wrap everything in a bow; not every broken or bruised relationship is mended, not everyone is perfect and pleasant. The characters don’t change, they evolve. They don’t just apologize, they forgive.
Nobody’s ever bothered to figure out what would be the exact right thing to say to me. What I need to hear.
This book made me laugh (a lot), tear up (a few times), and even had a few less-than-subtle ‘these characters are from our first book’ cameos shoehorned in at near the end. I didn’t even really mind, even if it felt a little clunky, and I have no problem taking the hint and have, in fact, already put a hold on that first book. But other than that little tease, this is a true standalone, so don’t worry about missing anything.
It’s like there’s this horrible thing eating me from the inside, and the only way to let it out is to fall apart — or to lash out. To leave someone else with hurt and doubt and insecurity just to know they know how it feels.
If you appreciate characters being unfiltered and far from perfect, as well as a story that has plenty of grand gestures, fandom, and real issues that never cross the line into overwrought drama, you should definitely pick this one up. Sure it doesn’t get full marks from me but it’s really close. All the greatness is great and even the stuff I didn’t super love.. it’s still so good. This is a perfect summer-y kind of read, because it’ll make you feel good, but don’t expect too much fluff (not used in a derogatory way). This definitely has substance, and weight, and will be well worth your time.